How Do I Achieve a 'Film' Look?
There is already another thread that discusses achieving the film look:
Oh and Shallow Depth of Field is not always mandatory for a film look. There are films shot with a deep DOF.
21 hours ago, ALwin said:You don't really need any of those plugins or software if you are on a budget.
Here are the things you should do and start with to get the "right" look and feel you want with your films.
Camera settings
- If you want the film/cinematic motion blur, shoot 24/25 fps with a 180 degree shutter rule. Basically the shutter speed is double your frame rate. As photo cameras do not have a 1/48 shutter speed, use 1/50 for both 24fps and 25fps.
- Keep in mind the 180 degree shutter rule is not set in stone, nor is using 24/25 fps. However you want the entire film to use one specific frame rate throughout the entire length on the final output. So if you use 24fps for your regular scenes, make sure that when you use 50/60fps to record other scenes, those other scenes were recorded with higher frame rate for the purpose of time remapping in post (slow motion). You don't want your final film to run at 24 fps at certain parts and 60fps at other parts. The final frame rate has to be consistent. With shutter speed, you don't have to be consistent throughout the final film. As long as you know why you chose to use a faster or slower shutter speed (to get the look you want).
- Color profile in camera: turn everything to ZERO or minimum. Photo cameras come with various picture styles like Standard, Neutral, Vivid, etc. Go into one of those profiles and dial all the sliders to 0 or less. This gives you a flat image when you record. Flat images are much much better for editing and somewhat retain more detail than those which have some in-camera preset already applied.
Audio
- Definitely use external microphones. The only use I would have for in-camera mics on HDSLRs would be to record scratch tracks that will help me synchronize with higher quality clean audio from external recorders.
- If you use directional shotgun mics, clip on mics, omni mics, etc. make sure you understand how their polar patterns work and play around with mic placement to get quality audio. Understanding polar patterns, especially with directional mics, will help you figure out how to place the microphone to isolate the sound you want to record from sound you want to avoid.
Lighting
- High ISO capability in the camera is no substitute for improper lighting.
- High ISO capability of a camera can also be a bad idea if you want to film a night scene. An alternative you can use is a technique called "Day for Night" where the footage is shot in day time or with a proper light setup and then edited in post to make it appear as if it was filmed at night time. One of the reasons for this technique is digital camera high ISO noise can be ugly and hard to remove in post. Hence better to film clean low noise footage and just edit in post.
- Changing the camera ISO, shutter and lens aperture is also not a substitute for improper lighting. Changing in-camera settings can alter the look and feel of your film, so if you do not want the look and feel to change and the film is underexposed, the only solution is to bring in more lighting.
Software
If you cannot afford to get Adobe Premiere/After Effects, I recommend you get DaVinci Resolve 12 which is free. The recent version of DaVinci Resolve is no longer just a color grading tool, it has become a full fledged NLE. Whilst using plugins and presets might make your workflow faster in color grading and trying to get the film look, if you cannot afford to buy those plugins and presets, DaVinci Resolve's color grading capabilities will help you get the look and feel you want manually.
In fact, even if you can afford Premiere Pro and After Effects, you can also include DaVinci Resolve in your workflow.
The videos I previously posted contain a lot of useful information. If you want I can also post more stuff from channels that show you what can be achieved. They can't go into full detail and tell you what to do because the settings they use for their examples might not be the same exact settings that work for your footage.
Finally: have patience, don't rush. Rushing will get you nowhere.
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