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December 13th, 2020 addition: In the first comment underneath the OP, I've added some quotes by Gary Gygax, who coined the phrase "role-playing game", where he says linear narratives aren't RPGs, that combat shouldn't be fixated on in an RPG, and that combat and levelling-up just for the sake of combat and levelling-up doesn't constitute an RPG. October 8th, 2020 addition with January 3rd, 2021 edits: Let's start with what the creators of the RPG genre say an RPG is: https://thetrove.is/Books/Dungeons & Dragons/4th Edition/Essentials/Heroes of the Forgotten Kingdoms.pdf Gary Gygax, the creator of the term Role-Playing Game, expands on what the term refers to, and what isn't an RPG, here: And here: So, an RPG is a storytelling game with form and structure, with robust gameplay and endless possibilities. The endless storytelling possibilities are the essence of what makes a game an RPG, and they are created through the interactivity of player choices, a GM reacting dynamically to and narrating the outcomes to player actions, the game world's rules, and chances of probability. And a game where the player doesn't choose their character's choices and actions and experience intelligent reactions to their specific choices and actions, but instead presents a set linear narrative, isn't an RPG. At its core, an RPG is "collaborative storytelling" between the player(s), the GM, and the world's rules. That choice/consequence-interactivity-based collaborative storytelling is the outcome of what's called Player Agency. Therefore, an RPG is a game with a focus on player agency. That's QED right away. But to completely understand why, you might have to read the exploration and reasoning of the topic that's below. Main and original post - Updated October 8th, 2020 This is an in-progress post. I have a lot of material and past writings to go through which could result in me adding to it and refining it over time, though likely not any time soon. But I think the topic is important for the genres and for the quality of experiences which are being made by developers and publishers. The term RPG comes from the pen-and-paper games where a human serves as a Game Master (also referred to as the Dungeon Master or something else, depending on the game being played) and creates situations for other people playing as characters in the story, with the choices and unique thoughts and input of the players in the story are an integral part of the story that ultimately manifests. That happens from the human game master playing-off of the players' choices by creating outcomes and new scenarios in response to them. This creates a very dynamic and unpredictable game experience where the players have an essential role to play in the game and story that emerges. And that player-role is the "role" being referred to in the term Role-Playing Game, and the dynamic between player choices and actions and game master-directed outcomes is also what is called Player Agency. Role-playing game - Wikipedia "Both authors and major publishers of tabletop role-playing games consider them to be a form of interactive and collaborative storytelling." "Interactivity is the crucial difference between role-playing games and traditional fiction." "The GM describes the game world and its inhabitants. The other players describe the intended actions of their characters, and the GM describes the outcomes." What is Player Agency and what is it good for? "From a game design perspective, Player Agency is the player's ability to impact the story through the game design or gameplay" Player Agency, Critical States, and Games as Formal Systems "player agency describes the ability of a player to interact meaningfully with game world. More than simple action/feedback interactivity, agency refers to knowing actions taken by the player that result in significant changes within the world." Dungeons & Dragons: The Importance of Player Agency "Player agency is fairly easy to explain, but a little harder to implement... In addition, an important aspect of player agency is the notion that the decisions made by the player will have direct consequences within the game world... Lastly, player agency is maintained when the players have enough prior information to deduce the possible outcomes and consequences for a particular course of action. This allows the player to make a judgment call based on who their character is and how they would respond." In video games, the human game master is replaced with scripted possible reactions to situations, and also complex world rules which can result in unplanned situations emerging, and in quests taking a variety of paths and turning-out in different ways, and how they turn-out having influences on other parts of the game world. One example of well-implemented player agency in a video game is in Gothic II, when the player needs to get into Khorinis. There are many ways to accomplish the goal, and depending on how the player does it, there can be different impacts on the game world. This video shows 6 different ways, but two of them are exploits and there are an additional 3 non-exploit methods that this video doesn't show: The player can also become employed by a local farmer and receive farmhand clothes which allows them entrance into the city. I think there's also another way to scale the city wall from a crack in the wall that's in the forest to the left of the drawbridge (near which there is a dangerous dinosaur-like creature). And if the player runs around the city, jumps off a cliff into the ocean, and swims around to the docks at the back of the city, the game grants the player 500 XP and also acknowledges the player's choice with some dialogue from a character who sees the player coming out of the water. If the player chooses to accept the city pass from the travelling merchant outside the city, they'll be asked to perform a dirty favour for the merchant later on. And if the player doesn't perform that deed for the merchant, the merchant will give the player a bad reputation among the other merchants. And aside from doing the deed, the player can also rat-out the merchant to the town guard, sending the merchant to prison for a while - but he will get out eventually and get his revenge. The player can kill the merchant while they're locked in their jail cell, and that will prevent the merchant from ultimately getting what they wanted the player to do for them. And if the player enters the city by another method other than accepting the travelling merchant's city pass, I think that the merchant will accomplish their goal inside the city on their own, which will have some small effect on who's in the market. All that inter-connectivity between player choices and dynamic game-world reactivity is a superb implementation of player agency in a video game. Moving on, when a game lacks that player agency aspect which makes an RPG an RPG, then that game isn't an RPG. When games that otherwise would be RPGs remove that aspect to instead focus on exploration and combat, they are Action(combat)-Adventure(exploration) games. Having an inventory, stats, character building, or even combat is irrelevant to whether a game is an RPG or not - although, those things can contribute a lot to adding complexity and possibility to an RPG experience. That's why Skyrim and Witcher 3, which remove the player agency and streamline questing by using Quest Markers and Quest Directives to always tell the player where to go and what to do in order to fulfill hard-scripted quest narratives, are not RPGs but are Action-Adventure games. A simple but reliable rule to follow is this: If a game puts its questing on-rails by issuing them with Quest Directives and spelling their solutions out with Quest Markers, then it isn't an RPG - and then it can't be an RPG because Quest Directives and Quest Markers by, and large, pre-empt the possibility of a game emphasizing player agency enough that its defining quality falls into the RPG category. The specific difference between an Action-Adventure game and an RPG is the notable presence and emphasis on player agency. But there's no requirement that a publisher labels their game correctly and publishers label their games according to what will market them to the broadest audience and bring-in the most sales. So, marketed game labels are regularly at odds with the reality of what a game is. In other words, a publisher claiming something doesn't mean it's true*. *See: 'Loot boxes are "surprise mechanics" and not gambling' (EA), 'paid mods aren't paid mods' (Bethesda), 'a subscription isn't a subscription' (Ubisoft) A typical real-time RPG that has the player agency removed from it becomes an Action-Adventure game like Oblivion, Fallout 3 and 4, Skyrim, Witcher 3, and Assassin's Creed games. Because lots of people don't really know where the terms came from, they make best-guesses at what the terms stand-for. And when they see RPGs commonly having stats, character building, and inventory systems, they can presume that's the common denominator between RPG games and so any game with those systems becomes an RPG to them. Those systems aren't themselves the essence of what makes an RPG, but they were used as a means to support the goal of collaborative and interactive storytelling by invoking player choices and actions, and having those choices and actions evaluate against game world stats to see what the outcomes would be - creating collaborative storytelling. Some people have come to associate the supportive elements as being the essence itself - and this is due to the 'looks like' effect: People who didn't know what "RPG" means play a bunch of games called "RPG" and then make a personal assessment of what the term means based on what they see as common associations across the games. And in that process, they can miss the purpose those elements were there to serve. But those elements I just talked about are supportive elements and not the essence of the term. And the same thing has happened with people calling games which aren't ARPGs ARPGs. I've recently seen it claimed that an ARPG is any RPG (using a definition of RPG that isn't what RPG means, no less) with a real-time combat system. But an RPG with a real-time combat system is simply an RPG with a real-time combat system, as opposed to an RPG with a RTwP combat system, or an RPG with a turn-based combat system, or an RPG with no combat system. I've also heard multiple times someone claim that an RPG is simply a game where you play the role of a character in a story - which describes every FPS in existence, not to mention most character-based games of all genres. When it comes to ARPGs, they're firstly Action games with a focus on combat similar to hack-n-slash games. Back when the ARPG term was created for Diablo (and before it was retroactively applied to a lot of earlier games), those systems - stats, character building, inventory - were mostly exclusive to RPGs. But, today, they're present in lots of different genres. Those systems aren't what make an RPG, and an RPG can even not have any of those systems (like Choose Your Own Adventure books). But those systems have traditionally been most familiar to RPGs and have been a big part of the pen-and-paper RPG experience where complex dynamics of real-life were simulated by stats. Because Action-centric ARPGs included some systems commonly associated with RPGs, they were called Action-RPGs. So, ARPGs aren't RPGs with Action-based combat systems (which some people take to mean real-time combat). Instead, they're Action games with some traditionally RPG-associated systems to add some additional depth and character progression to them. Some of their gameplay elements 'look like' things you'd see in RPGs without the games containing the essence that makes a game an actual RPG. Sometimes people make an argument of 'the meanings of terms evolve over time'. But changing ARPG from meaning an 'Action game with some RPG-style systems' to meaning 'an RPG with real-time combat (as opposed to an RPG with RTwP, TB, or no combat system)' isn't an evolution, it's a stark devolution - and one that leaves Action games with RPG-style systems orphaned from a genre title, while making the term ARPG not refer to anything in specific and so not being a useful label. And the whole purpose of having terms and words is for them to define something as much as possible, so that using them accomplishes some mental work for the people's conceptualization. And changing the meaning of RPG from meaning a game where player agency is essential to the gameplay experience to meaning a game with stats is likewise a sore devolution of the term and imparts a drastic lowering of complexity and depth in the games which get called RPG. An RPG isn't supposed to be a bland, generic, paint-by-numbers experience where you simply do as you're told and bash everything along the way, but that's what many games that are being called RPGs by the big-budget studios making them are. All that's being done there is taking away a useful title to turn it into a too-vague-to-be meaningful one, while then also being absent a title to describe what RPG actually exists to describe. There's a net loss of conceptual and useful value there. So, an argument of 'the meanings of terms evolve over time' argument doesn't apply here. What is actually being done is that people ignorant of the meanings and origins of terms are acting out of assumptions based on a 'looks like' mentality and are lowering the bar with their determinations of what the terms must mean based on a simplistic 'looks like' assumption. A game genre doesn't aim to describe every last element contained within a game, but aims to describe the most notable and stand-out characteristic of the experience for the player - even though sometimes people lose sight of a genre's meaning, or create a genre-label out of ambiguity (Souls-Like, for example). - First-Person Shooter describes a game played from the first-person perspective where the player shoots stuff. - Strategy describes a game where the primary gameplay element is strategising. - RPG describes a game where the player themselves, with their unique choices and behaviour, is an essential component of the narrative that plays-out - and because an RPG have to account for various possibilities and outcomes, it is one of the most complex type of games to create, and also one of the most immersive and deep to experience. RPGs can have character-building, but they also can not have character-building. RPGs can have stats, but they can also not have stats. RPGs can have any kind of combat system, but they can also not have a combat system. - Action-Adventure describes RPG-similar games where, rather than relying on player agency, the questing is streamlined and put on-rails so that the player doesn't have to deal with information and can instead focus on a simpler experience of combat and exploration. Having a few boolean choices in them, especially when those choices are presented in scripted dialog sequences, isn't sufficient to make an Action-Adventure game count as an RPG because that utmost basic (and primitive by RPG standards) kind of choice still isn't the, or even a, leading experience of the gameplay. An Action-Adventure game can be said to be simply a typical RPG with real-time combat, but without the focus on player agency. If a game has the elements of an Action-Adventure game but with the additional emphasis on player agency that makes for an RPG, then it's just an RPG. - Action-RPG describes an Action-centric game that added some complexity from systems that are commonly associated (though much less exclusively so today than when the term was created) with RPGs, like stats and character building. I think that it's important to use the terms accurately because by not doing so and letting them be used for anything results in game developers perpetually lowering the bar in the type of games they make, and it also results in gamers perpetually lowering the bar of their expectations for what quality of game design they should be expecting when they buy a game of a certain genre, most of all one that's labelled as an RPG. Nowadays, publishers label their generic Action-Adventure games as RPGs and then pat themselves on the back while having accomplished none of the experiential creativity or complexity that is required for a game to meet the requirements of an RPG experience. And because gamers now often expect an RPG to mean nothing more than having stats and bashing stuff while following quest markers, game developers largely aren't reaching for anything higher than that. The misuse of the term RPG has devalued its meaning and lowered expectations from gamers as well as the ambitions of developers and publishers.

Does anyone know the genre of the music is from 0:20 to 0:43? It's that kind of slow beat (which reminds me of Oceans Eleven or the Italian Job (heist music)). Thanks, Blueprint

What is your favorite movie genre and all time best movie of that genre? personally I love a good comedy, be it witty, outrageous or just plain ridiculous. the first few things that pop into my head when i say favorite comedy are The Mighty Boosh or Zombieland I have seen quite a few great trailers for comedy's coming out this year though.

Simple poll with the big a$$ poll options , heaviest list i'd ever put out , i wanted to add "others" as a genre but maxed out the option list, so feel free to comment on the specific genre you prefer down there. please, dont bring up explicit games (not reffering to war/shooting) or whatever that might offend some people. Nyhow, multiple choices are welcome,and if your head hurts from reading all the poll options ,leave your rants down below and tell me how to improve the post further. Also, Post in the comments about what games you are currently playing and how you're following it so far. a ninja never plays with consoles