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jafnvaegi

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Profile Information

  • Gender
    Not Telling
  • Interests
    DIY
  • Biography
    Gaming & Music fan ^-^
    ☊ Headphones ☊

    MEE Audio Pinnacle P1
    • Stock dual-flange silicone
    Hifiman RE600
    • Recable w/ UERM cable
    • Mild damping behind driver
    • Hifiman double-bump silicone
    Zero Audio Carbo Tenore
    • Sony Hybrid Silicone
    Creative Aurvana Live!
    • Sleeved Mogmai Neglex recable
    • Rear driver and cup damping for anti-resonance
    Sennheiser HD600
    • DIY Sleeved/Braided Mogami Neglex cable
    • DIY Leather Suspension Strap on Stock Headband
    • Select damping behind drivers
    • Coin mod, larger hole cut
    • Nylon mesh between pad and driver

    ▤ Portable Sources ▤

    iBasso DX50
    • Amp mod - 100uf Nichicon FG output caps
    • mSD to SD adapter
    • Rockbox firmware
    Sansa Clip+
    • mSD to SD adapter
    • Rockbox firmware
    Samsung Galaxy SIII (work in progress)
    • Heavy modifications including internal USB DAC & headphone amp
    • Custom molded battery door + aluminum bumper chassis
    • Rockbox for Android
    DMG-Pi & DAP (work in progress)
    • Gameboy DMG-01 chassis + Raspberry Pi Zero
    • Custom USB DAC & headphone amp
    • Pi distro TBA

    ▐░ Speakers ░▌

    Celestion 3
    • Some Russian caps
    • Stock resistors & inductors
    Snell Type J/I
    • Jantzen CrossCaps/Mundorf ECAP Plain
    • Stock resistors & inductors
    • Audio Note refoam
    Snell Type J/II
    • Jantzen CrossCaps/Mundorf ECAP Plain
    • Stock resistors & inductors
    • Audio Note refoam

    Δ DACs Σ

    Timbre TT-1 DAC - Balanced Version
    • stock
    Jolida Glass FX Tube DAC MKI
    • 2x RCA 5751
    • ClarityCap ESA coupling caps
    DIY AD1865N-K R2R Tube DAC (work in progress)
    • 2x Amperex Holland 7119 PQ in amp, solid-state rectificcation in PSU
    • 2x Raytheon 5842/417A & Altec 15356A in amp, Raytheon 5U4GB in PSU

    ◙ Turntable ◙

    Technics SL-1700mk2 (work in progress)
    • Denon DL-110 w/Technics Pro headshell (weighted)
    • Stanton 681EEE-S w/Technics headshell
    • KAB TD-1200 Liquid Damping System
    • Tonearm damping w/Plasti Dip
    • Plinth Damping w/Butyl Sealant
    • Thurst Plate Wax Mod
    • Tonearm Resonance Cap or Adjustable Aux Weight
    • Tonearm recable w/KAB SuperFlex
    • RCA recable w/Mogami W2528 - 3'
    • New PSU caps (Nichicon VX / VY / ES)

    ◕ Linestage ◕

    DIY Kondo M7-Line w/modified circuit
    • 1x Amperex Holland 7119 PQ
    • 1x Tung Sol 6X4W
    • TKD 2CP-2511
    • Edcor Power Transformer
    • F&T - Nichicon KG caps in PSU
    • KOA-Speer - Mills resistors in PSU
    • Elna Cerafine - Jantzen Superior Z caps in Amp
    • KOA-Speer - Takman Carbon resistors in Amp

    μ Phonostage μ

    DIY Thorston-ized Esoteric Audio Research Yoshino 834P w/tube-rectified PSU
    • 2x Telefunken ECC83
    • 1x Mullard ECC82
    • 1x RFT EZ81
    • Hammond Power Transformer
    • F&T - Nichicon KG - Wima MPK caps in PSU
    • Mills - Ohmite - KOA-Speer resistors in PSU
    • Sprague Vitamin Q - KBG MP2V - Obbligato Gold - Elna Cerafine caps in Amp
    • KOA-Speer - Takman Carbon - Takman Metal Film - Caddock MK132 resistors in Amp

    ☒ Amplifiers ☒

    DIY Radiotron SE2A3 SET (RCA's version of WE91A circuit)
    • 2x Sylvania Black-plate 2A3
    • 2x Sylvania VT116A
    • 1x Sylvania 5R4GYB
    • James 6123HS OPT
    • ALPS RK40
    • Obbligato Oil Film/Motor Run caps in PSU
    • Elna Cerafine - Russian PIO - C-D Avacados in Amp
    • KOA-Speer - A-B - Ohmite resistors
    Hoffman 8008 EL84 Push/Pull (Refurbished)
    • 2x ECF80 Amperex Holland BugleBoy
    • 4x EL84 Amperex Holland BugleBoy
    • 1x RCA 5U4GB
    • Stock iron
    • Elna Silmic II - Nichicon KG/KX - Hovland Musicap - C-D BlackCat - Wima MKP caps
    • KOA-Speer - Ohmite - Mills resistors
    DIY KT66 Push/Pull (work in progress)
    • currently designing circuit & creating parts list
  • Occupation
    SysAdmin

System

  • CPU
    Intel i5 4690k
  • Motherboard
    ASUS Maximus VII Formula
  • RAM
    Corsair Vengeance 8GB DDR3-1600 9-9-9-24
  • GPU
    Gigabyte Windforce G1 GTX 970
  • Case
    Lian Li A-05 FN-B
  • Storage
    2x Samsung 850 Evo 250GB Raid-0 / WD Black 2TB
  • PSU
    Corsair HX650
  • Display(s)
    2x Acer G257HU vertical stack
  • Cooling
    Corsair H80i GT / Noctua NF-F12 (x3) / NF-A14 (x1) / NF-R8 (x1)
  • Keyboard
    Modified CM-Storm QFR w/ vintage black stems & blue springs, damping o-rings
  • Mouse
    Razer DeathAdder 3.5G
  • Sound
    ...see bio for the madness
  • Operating System
    Win7 64bit / OpenSUSE 13.2 GNOME

jafnvaegi's Achievements

  1. xiph.org is a great resource, lots of informative data there! This is super nice and convenient aggregate! I have seen some of these but there are others I'll definitely be checking out...kudos!
  2. Yeah, I saw the commentary in your sig The HE400i was one of the more brief demos I had with only a few songs, but I did get to try it side-by-side with my HE500 on my own setup. At least for me, it had the characteristic textured and solid bass response but perhaps not quite as thumpy or present in the lower bass, a bit more midbass. The midrange is just lusher and without compromise on the HE500, it doesn't quite get there on the HE400i. Treble is more pleasant and detailed on the HE500 too...better imaging. I'd have to hear the HE400i again really. I do recall the general presentation/frequency response to be rather similar, though they have subjective differences in practice. I think this is what makes the HE500 special, is there's essentially no substitute...even a headphone that was purpose built by the same company to 'succeed' it so to speak. Hifiman is going in a different direction I guess. Technically the Audezes do have more linear and tighter bass and even lusher mids, but it's definitely more relaxed and less engaging as a result...super smooth. A friend of mine still owns a pair of 2.2 but he's really big into vocals and classic rock so that makes sense. It's definitely too relaxed for my tastes, though it's something that can grow on you and you can adapt to over time I suspect. I still prefer the HE500 as it's actually engaging but still never fatigues. I hope to hear the ETHER soon, I really like the design choices and aesthetics...less dry sounding is always desirable anyway for me. Gear philosophy can be a rabbit-hole but I can respect a variety of preferences. I personally am a tube guy first but I do have/use solid state gear as well, it's all relative and I enjoy both for various reasons. I'm also into higher sensitivity speakers so it's more apparent there regarding tubes, but I have heard headphones sound different (slightly different) on different setups at events. The WA7 (or Woo amps) are not particularly prime specimens if you ask me but I have owned the O2/ODAC combo before and would still choose that over the WA7. I've not heard the W1000X but it's a beautiful looking headphone, as it's described in reviews I'd like to hear it...and some more Audio Technica cans for that. I have owned the ESW9 before but I found that on-ears are not for me though it sounded good for what it is. The TH900 is among the better closed cans for sure, it does have a U curve, definitely fun and not overly bassy but the lower mids do suffer a bit as a result of that elevation but it's still reasonably full and has a euphony to it. The price is definitely excessive, especially considering what the D7000 used to cost new but I guess it is a new driver and updated build quality. Honestly, I really like the D7000 though that may be because I have more time with it....I'm not sure what they go for used these days, but it could be a reasonable option. Easily one my favorite (semi) closed headphone despite inherent weaknesses with imaging, but very musical and engaging. Not neutral, lacks some mid/upper treble but it's still got a pretty full sound overall. Another good vocal or rock headphone. TH900 has better positional imaging, soundstage and dynamics capability...technically better with more genres.
  3. Second vote for Carbo Tenore, and I can also recommend the Hifiman RE400 as well...and they come in variants that have android/iphone remotes. Read up on both of those :lol: I'd give the RE400 the upper hand if you listen to vocals or music with acoustic/wind instruments.
  4. Yes, yes....yes. Literally the best bang for your buck IEM, and on Amazon Prime currently. Just try not to beat the hell out of them, the cables are supple and relatively non-microphonic but if you pull on them too hard the sheathing may pull away near the strain relief (which is already kinda short) and expose the wire, risking it to break easier. It can be reinserted though, I think they just use some glue to hold it in place so you can always add a tiny bit more if that happens...at this price it's hard to argue though. Otherwise, the housing is made of aluminum and a carbon fiber cylinder and are very sturdy. Nice, small size too. Basically, be cautious if you use these while doing alot of physical activity not to tug on the cable, like by wearing them with the cable over your ear.
  5. As someone with lengthy experience using the HE500 on many systems...your options are very limited outside another HE-500 TBH. The HE-400i does come quite close depending on the setup/gear it's on from a purely signature and relative driver standpoint, it's *almost* there in terms of ultimate technical ability. That'd be my only recommendation... long term comfort is better with the newer headband design and lighter weight so that is a plus. Planars in general have specific characteristics that pretty much any dynamic driver can't achieve, and vice versa (and same can be said about electrostatics as well) as you know I'm sure. My experience is on the right respective setups an HE500 and HD600 can be equals, but for different musical focuses or purposes...and the HE500 has the edge in being more of a 'jack of all trades' with any genre or application and is slightly less setup dependent. It's just hard to best in many ways. Pretty much everything recommended so far is mostly not like the HE500, sans the Alpha Prime maybe for using a planar driver. Still, it is IMO apparent that it is a closed headphone and (again, IMO) a lesser driver technically speaking (midrange distortion at louder levels?), the signature is less musical to me...not cocaine levels of excitement. I've met Dan of MrSpeakers and he has certainly done wonders with that driver, don't get me wrong...it's one of the better closed headphones out there...but it has it's limitations and just isn't the same as an open (planar) headphone. Still, report back when you receive it, I'm curious what you think. The ETHER could be another story based on initial impressions (not heard this one yet) but price doesn't automatically equal better. Case in point, the LCD3 (non-fazer) has a bit more treble energy than the LCD2/2.2 but still has all the same 'Audeze characteristics' since you've heard the LCD2 before, you know what I mean...IMO prohibitively expensive, aaannndd wild variances in sound signature...I can't recommend it considering the performance of the HE500 on the same rig even if it were in your budget. I'd not bother with the OPPOs either but definitely demo them if you have the opportunity. If you like the HE500 (and your ears) the T1 is an enthusiastic 'NO' ...peaky/harsh/grainy treble (fatigue), midrange recession and thinness, subbass distortion tendencies (it's all heavily amp/gear dependent)...it's tonality is decent but just not as good, kind of an anti-HD500 in some ways lol. Fatiguing is a good description, the HE500 is not that. Maybe I'm being overcritical but it's not my cup of tea personally, like the HD800...they're just more studio monitor-esque, engineering tools which I totally respect and they deserve the fan-base. It's like they are prefect to use in conjunction with some good studio monitor speakers, swapping in for when a sound engineer needs ultimate detail retrieval and critical fine tuning. I'm sorry to hear about the customs taxes tho, I've shipped and received from the Philippines before. What is your current audio setup like?
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